Call For Submissions
We are pleased to announce the opening of our next submissions period! We are now accepting your best Fiction, Creative Nonfiction, Poetry, Drama, and Craft Essays. The theme for Issue #10 is “Memory,” and we are looking for unique and arresting takes on this topic.
Our submissions period runs for three months: August 15 – November 15, 2014. There are two ways to submit to Mason’s Road. You can submit for free any time during our submissions period, and your work will be given thorough consideration for publication. Or, you can submit with a $10 fee, and your work will also be considered for our Mason’s Road Literary Prize, which includes publication and a $500 prize to the best entry we receive. Please look here for submission guidelines.
In our just-published issue, we feature work by prize-winning authors, including Jay Kidd, Nicola Waldron, and Stephanie Dickinson .We also have interviews on craft with poet Cynthia Atkins, screenwriter Tom Grey, and novelist Therese Anne Fowler. We are proud of the excellent array of work we selected from over 500 submissions, including the short story, “Formication,” by Patricia Canright Smith, winner of the Mason’s Road Literary Prize. Visit http://www.masonsroad.com to check out all of the current issue’s works.
Sponsored by Fairfield University’s MFA in Creative Writing, Mason’s Road is an online literary journal with a focus on the lifetime learning of the writing craft. It is run by the program’s graduate students, and its goal is to be both educational and inspiring. Anyone in the literary community is welcome to submit, comment on the current selections, and engage in a dialogue about our craft.
Thank you in advance for helping us spread the word among your creative writing students, faculty, and contacts!
The Mason’s Road Editorial Team
Marcel Proust once said, “Remembrance of things past is not necessarily the remembrance of things as they were.” Such is the mystery and miracle of memory. Virginia Woolf believed that emotions cannot be fully developed in the moment, rather, only by remembering them in the past. Perhaps that is why, while we exist in the present, we have a tendency to live in the past, feeding on memory and experience to inform our future. Literature, especially, has all to do with memory. It is no coincidence that the majority of prose is written in the past tense as if being recalled from somewhere, and we even have a whole genre of nonfiction dedicated to memoir–a word derived from the French and Latin words for memory. Poetry is very often reflective, and even futuristic drama has an organic way of telling a story of the past. Why are we so tied to memory, and perhaps more curiously, why do we feel compelled to share memories with others? Mark Twain said, “A clear conscience is the sure sign of a bad memory.” The implication is that alongside our memories of happiness and joy, there must surely be memories of sadness and regret. What value does this add to the human experience? How can literature help us to answer these questions? The editors of Mason’s Road look forward to reading the creative ways in which our contributors delve into the eerie abyss of Memory. As Aldous Huxley puts it, “Every man’s memory is his private literature.” We are excited for this opportunity to read so many chapters of so many different stories.
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Editor in Chief
Mason’s Road: A Literary & Arts Journal